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| License |
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All songs available at mediamusicloops.com are licensed as a Buyout, or Royalty Free Music.
This means you pay ONCE for the music, and can use the songs as
frequently as you like – forever. There is no simpler way to license
music. |
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Upon
receipt of payment for the music, Mediatone Music will grant a
non-exclusive lifetime license to synchronize and mechanically transfer
the recordings for use in your audio/video/multimedia productions. |
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All
music available at mediamusicloops.com is the property of Mediatone
Music, Inc., it's applicable publishing companies and it's writers. All
musical material contained in the library is protected under the
Copyright laws of the United States. As a licensor of the music, you do
not own the music. You own a non-transferable, lifetime license to use
the music for your own productions and those of your clients. Music
included in the mediamusicloops library cannot be sold, shared, or
otherwise transferred (except as embodied in timed relation with
audio/video productions for your own company or your clients). |
| Mass Marketed Media Products and Motion Pictures: |
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A special mechanical license
must be issued for the synchronization of music with any media products
that will be mass marketed or duplicated in excess of 10,000 units. |
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Special prices may apply for theatrical motion picture use. Please contact our sales department for more information. |
| Use of mediamusicloops in Broadcast: |
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Each
piece of royalty free music in the mediamusicloops catalog can be
cleared for broadcast with the applicable Performing Rights Society. If
a song is to be used in a broadcast application, a list of the song
titles, publishers, composers, and applicable performing rights
organization should be filled out on a Cue Sheet. Cue Sheets can then
be faxed to Mediatone Music, Inc. at (972) 389-9907 and turned into the
broadcaster. The broadcaster is then able to file accurate cue sheets
with the appropriate performing rights organization. Please note that Peformance Royalties are collected directly from broadcast stations and are not the responsibility of producers, editors, etc. |
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| Royalty Free Music |
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The
term royalty free music, also known as buyout music or buy-out music,
is frequently a source of confusion. Some believe that it means there
is no cost associated with the music. Others believe that the music is
“copyright free”, or that there is no copyright associated with the
music. Each music library license will vary to a certain degree,
however, as a general rule royalty free music simply means that you
have purchased a “lifetime synchronization license” for a given song or
group of songs. In other words, you have the right to synchronize the
music with your audio and/or video productions an unlimited number of
times without incurring any additional expense. |
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Other
types of production music licenses include “Needle Drop” where the user
pays a fee each time they synchronize a piece of music, and “Blanket
Licensing” where the user leases a group of music or CDs, and can use
the music for a specified set of uses during the term of the lease
(typically a one, two, or three year commitment). Each of these
licenses are a bit more like renting the music than buying. While you
don't actually own the music with a buyout library, you do own a
lifetime license to synchronize the music with your productions. |
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The
mediamusicloops license does away with much of the complication of
typical music licensing and allows the user to pay a one time licensing
fee, and then use it as much as they want. Not only is this a more
affordable option, but it is more convenient as well because it
eliminates much of the paperwork, calculating of fees, and check
writing associated with standard music licensing. |
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The
other big misconception about royalty free music pertains to
broadcasting of the music on television, cable, radio, etc. Television
broadcasters pay annual royalties to the Performing Rights Societies
for the right to broadcast music on their shows. When music is
broadcast on television or cable TV, it is tracked by something called
a Cue Sheet. This is precisely where the term Royalty Free does NOT
apply. Cue sheets determine where the royalties previously paid by the
broadcaster get dispersed. There are no costs associated with cue
sheets, however most Royalty Free music libraries require that cue
sheets be properly filled out when the music is for broadcast use. A
cue sheet is merely a paper trail to ensure writers get paid what is
due to them out of the money that has been previously paid by the
television stations and broadcasting entities. |
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To
summarize, a Royalty Free License means that you do not continually pay
a “synchronization royalty” each time you use a given piece of music.
You pay only one time. It does NOT mean that a writer is forfeiting the
performance royalty, or broadcast royalty, due him when his music is
aired. This royalty has already been paid by the broadcaster and should
be dispersed appropriately through the filling out and submission of
cue sheets |
| Mechanical License |
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Whether
you are dealing with a royalty free music library, a standard license
music library, or otherwise, there are several licenses involved with
copyrighted material. It is fairly common for different parties own
different rights to copyrighted material. Because mediamusicloops.com
can offer all of these licenses, we can offer you a simple, one-stop
solution. Here is a quick rundown of each type of license: |
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Synchronization License:
The right to use music in timed relation with other visual or audio
elements in a film, video, television show, commercial or other
audio/visual production. This license is necessary to legally
synchronize a song in your work. This license is included in your
licensing fee at www.mediamusicloops.com. |
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Master Use License:
This is the right to use a given recording (or master recording) of the
composition. This license is also necessary to legally synchronize a
song in your work. This license is included in your licensing fee at
www.mediamusicloops.com. |
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Mechanical Rights:
With regards to production music, this is a license granting the right
to manufacture multiple units of a product containing copyrighted
material. (i.e. DVDs, Software, CD-Roms, etc.) Mechanical Rights can be
obtained by calling our sales office. Here are the rates for mechanical
rights: |
| Up to 10,000 Units | Free with standard license |
| 10,001 to 25,000 | $50.00 per song |
| 25,001 to 100,000 | $100.00 per song |
| Unlimited units | $200.00 per song |
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Performance Rights:
Public Performance Right is the exclusive right given to the creator of
a musical work by the U.S. Copyright Law. Each time a song is performed
(played) on a broadcast, it is considered a public performance. This
right is typically licensed by performing rights organizations such as
ASCAP, BMI, etc. Click here for more information on Performing Rights. |
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Performing Rights Organizations |
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Performing
Rights Organizations (or PRO) such as ASCAP and BMI collect performing
rights royalties from broadcasters on behalf of its members (both
writers and publishers). The PRO then distributes these royalties to
it's members according to a number of variables including the length of
the cut used, where it was used, when it was broadcast, etc. |
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The
performances licensed by PROs include network television, cable tv,
radio programming, for-pay movie channels, use in nightclubs, stores,
and restaurants, performances at sporting events, etc. |
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Performing
Rights Organizations track the use of their member's music through Cue
Sheets. Cue Sheets are simply a form filled out by a producer and
submitted to each PRO who has a member represented on the cue sheet. |
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The
fees paid to the PRO are typically paid by the broadcaster (tv station,
cable station) and are not the responsibility of the producer. In rare
exceptions (HGTV, ESPN), a broadcaster may opt to not license the music
through a PRO and defer that responsibility back to the producer. In
these cases, the producer would need to negotiate a performance license
directly with the music library. If you are doing work for broadcast,
it is wise to make sure the broadcaster you are working with has a
license with the proper performing rights organization. Otherwise, you
may find yourself with some unexpected expenses, or worse (legal
issues) down the road. |
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Rights
such as Synchronization Rights, Master Rights, and Mechanical Rights
are handled directly by the production music library. |
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